Tag: Anime

3 ways you could be failing at  event contracts for your fandom

3 ways you could be failing at event contracts for your fandom

Venue spaces and hotel places can be the weirdest cases a fandom faces!
Photo by Jakob Dalbjörn on Unsplash

Remember back when I told you that I started my convention running career in 2009 after seeing some things and wanting to help change the game for my local anime con? I think I even mentioned that I started as the Facilities Liaison, a director level position that coordinated communication between the hotel and the event.

Well, there was a reason for that.

You see, back in 2009 I was working as the front desk manager for a small town hotel, roughly 70 rooms and 1 meeting space (technically 2 but the other was used for breakfast and was tiny). But the difficulties in managing a hotel scale pretty well in my opinion, and understanding how room blocks, event space and cost variance work for hotels turned out to be a super power few in fandom had. As I left the convention floor and went home to defend the staff and event on its forum, I began to realize that my knowledge was valuable.

And, it turns out, it might still be. So lets take a moment to discuss how room blocks, hotel booking and discounts work and apply it to fandom events.

Remember, a handshake is not a contract – get everything verbal in writing!
Photo by Sebastian Herrmann on Unsplash

A Tale of Two Businesses

First and foremost, any convention, event, expo or meetup should be treated and run as a business. That means thinking of your attendees as customers, your volunteer staff as… charitable organization volunteers (you didn’t think I was going to say employees did you? Good heavens, do you want fandom to get in trouble with the IRS?) or at the very least think of yourself as a person who runs a business with the intent to be solvent. I wont say profitable, because not all events are out to make a profit, but it is important for any business to be self sustaining eventually, and your job as someone starting a business that is mainly a event production company is to make choices that get you to that sustaining mark.

With that said, any hotel you work with is going to be a business too, and their job is quite literally to be a solvent business that. makes. money.

Remind yourself of that any time you question why they are not negotiating with you more kindly, why they are not recognizing how important your event is to the community, and why they constantly want to talk to you about their towels (more on this another time). It’s because they are looking at you and your attendees in a risk/reward chart and gauging how much value you have for their business.

But take my word for it, you have value to their business. Even at 2000, 1000, 500 or less attendees, you can have amazing value. But the point is, you need to recognize the business relationship and not be intimidated by the cold and calculative nature of the transaction. Representatives of hotels can be sweet, friendly and very good at marketing their businesses value. You need to be just as good.

Remember your allies

People who make tourism maps often have powerful friends… make them yours!
Photo by Janis Oppliger on Unsplash

An event doesn’t get very far on its own. Even starting out with 100 attendees for a 1 day event, you have allies in the community who want you to succeed. These people are your local tourism, visitor board or chamber of commerce. Organizations in your town, county or state that have the soul purpose of cultivating community rich and attractive events from their youth into destination events that do their travel advertising for them. You want to be best friends with your local tourism board, because they actually want you to succeed at bringing more people into the area and making them look good.

And to do that, they have grants and apps and relationships they have built over a long time that trump ANYTHING your friend of a friend who knows the owner of the donuts shop down the street can do for you. The will elevate your negotiations, encourage more attractive contracts and most importantly teach you how to host an event in their area. But only if you ask and stay hungry for that knowledge.

Before you sign – imagine your time… line.

Put down the pen if you haven’t at least made ONE vision board for your event!
Photo by Cytonn Photography on Unsplash

Every contract you enter into limits your negotiations, so if you must enter into a contract, think 12 steps ahead to any other contracts you made need and think critically about how that contract will affect the others. If you book a cheap venue, will that limit your negotiations with the nearby hotel? If you have your event catered by a company you like, will they work with your venue? Does your venue allow you to bring in outside food or items for your attendees or VIP guests? If you book a certain venue, will that limit the content you can have, the hours you can be open? Will availability of dates attractive to you from a venue or hotel limit your choices and solvency?

If you haven’t considered these questions, or are about to negotiate a contract and are wondering what questions to ask yourself before signing a deal then you are not ready to sign. Take a step back and really think about the 2 year outlook, the 5 year outlook and event the 10 year outlook of your convention. What are you doing right now that will impact your event in the future and how can your choices stifle or flourish your events prosperity.

What do you think? Are you contract savvy, or do you still need help advocating for your event? Do you think fandom conventions deserve more help from the communities they inhabit to grow? Talk about it in the comments!

Un-Conventional (Pt. 1)

Un-Conventional (Pt. 1)

This is a series of posts on convention running and my journey through conventions. For the entire series click here.

Running conventions is the gateway drug to professional fandom

Convention Runners (Often called ConComs) work diligently to provide a open space for fandom exploration.
Photo by Campaign Creators on Unsplash

It was Labor Day Weekend of 2009. At the time, I was reeling from a bad breakup and living with my Grandmother back in my hometown while working to save up to get back into school. A friend of mine had reminded me that week that there was an Anime Convention going on in downtown Portland, and thought I’d enjoy the experience. It was somewhat of a spontaneous adventure that got me to call up a friend with a car, and convince them to drive into Portland in the middle of the night for donuts and to drop me off at a plush Downtown hotel where I had no reservation and proceed to crash on the floor of a friend of a friends booked room. I got up early, waited in line for the chance to purchase a weekend ticket to the event, not knowing what events I’d go to or things I’d see.

The convention itself was largely uneventful for me. I went to a few interesting panels about AMVs (Anime Music Videos, or fan-compiled videos set to specific music) and a strange panel for a group called “The Anime Hunters” whom did a YouTube channel of their shenanigans in cosplay making and being fans. I saw a few of the guests and, more than any of that, I witnessed the staff working hard and experiencing serious problems with the venue, attendees and their own limitations.

I knew a little bit about how hotels work, having been the front desk manager of one for a year or so at that point, and could see that a lot of what they were suffering stemmed from a fundamental disconnect between the convention staff and the hotel.

There was a revolt among the attendees about the treatment of their throngs by the security and staff of the hotel, and the complications in rectifying this with staff of the convention. There were forum threads where people pledged anger, frustrated boycotting of future conventions.

I did the best I could to explain why the convention was struggling with their venue, why other venues wouldn’t work and the options the convention had at their disposal to improve the situation. I encouraged people who were negative to get involved – and then I took my own advice and started conversing with the heads of the convention; showing up to the general/elections meeting that year. Fast forward a month and I was asked to take the position of Facilities Liaison, a director level position that built the relationship between the hotel and the convention staff. Fast forward a few years and I have held 4 of the 9 Director level positions at that convention and have been a part of its growth from a 3000 person event to a platform convention recognized across the country that benefits from a beautiful convention center in Portland.

Yep, that is me as a baby Con Com (Circa 2011)

In that time, I got a degree in communication, I liaised with conventions across the country and businesses around the globe to learn more about what it takes to make a convention work.

But I am not the first to do that, and certainly wont be the last. I met with people who ran conventions as non-profits and 100% volunteer run, and convention runners whose full time job was producing events in fandom. And that was the bug that bit me, the thing that kept me up at night. If these people could make a living as “secret masters of fandom (SMOF’s), why couldn’t I? I found there was a whole community of people working to make a stable living inspiring others and building fandom. That is the journey, that is the hope. Lets see how long it takes.